Section 03 of 05 · three entries
The Rexurdimento
The nineteenth-century revival that put Galician back on the page. Three poets carry it, and Nimbos stands at the far end of the line they started.

The entries
- 01Rosalía de CastroCantares gallegos, 1863, made Galician a literary language again after centuries in which it was spoken but barely written.
- 02Curros EnríquezAires da miña terra, 1880 — a combative public voice that got its author prosecuted.
- 03Eduardo PondalQueixumes dos pinos, 1886, and a bardic register built out of the coast he came from.
In pictures
01Rosalía de Castro
Cantares gallegos, 1863, made Galician a literary language again after centuries in which it was spoken but barely written.
Read this entry →
02Curros Enríquez
Aires da miña terra, 1880 — a combative public voice that got its author prosecuted.
Read this entry →
03Eduardo Pondal
Queixumes dos pinos, 1886, and a bardic register built out of the coast he came from.
Read this entry →The shelf
Four books put Galician back on the page. The fourth is the one this site reads.
Cantares gallegos1863
The Rexurdimento becomes a fact in print: a spoken language returns to the page.
02
Aires da miña terra1880
A combative public voice out of Celanova, and a prosecution for the book.
03
Queixumes dos pinos1886
A bardic register built out of the coast at Ponteceso, on the Costa da Morte.
04
Nimbos1961
Thirty-two poems from Editorial Galaxia in Vigo — the book this site reads.
Where the entries happen
Six places in Galicia, numbered on the map and named in the key. Each one opens the entry it belongs to.
- 1GuitirizOs Vilares, the parish where Díaz Castro was born.
- 2Terra CháThe flat inland country of Lugo whose speech runs through the book.
- 3VigoWhere Editorial Galaxia printed Nimbos in 1961.
- 4Santiago de CompostelaWhere Rosalía de Castro was born, in 1837.
- 5CelanovaCurros Enríquez’s town, in Ourense province.
- 6PontecesoPondal’s coast, on the Costa da Morte.
The other four sections